I attended the festival mass at Santa Maria in pursuit of finding a particular confessional that I can observe. Entering the church, I noticed that there were four confessionals, two on each side of the nave. I resolved to get some photos of them, but I did not want to alarm the church goers by my strange photographic behavior, so I sat down and began casually photographing the church. Eventually, I made my way around to getting some shaky images of the confessional nearest to me. The experience made me consider the difficulty of documenting cultural practices that are ongoing. It is difficult to do so without allowing the academic perspective trivialize the culture that is being studied.
At the beginning of the mass, the head father came out and began to speak. The room got quieter as the parishioners began to listen to mass. At the same time, and much to my fascination, a younger priest came into the nave and entered the confessional closest to where I was sitting. During the mass, about five or six parishioners came to give penance. I was able to snap a few pictures and tried to be careful not be intrusive or to take photographs that would identify any of the confessing Catholics. In order to study confession responsibly, I think that I will have to respect the anonymity of the sacrament just as the church does.
I did learn some small pieces of information about the process of confession for the priest. The father who sat for confession today brought a book with him. When he arrived at the confessional, he turned on a light and closed the curtain, but he did not feel obligated to keep the curtain closed the entire time that he was hearing confession. At one point he had the curtain open and even appeared to be paying attention to the festival mass.

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