
We visited the Forum for the first time today and learned that Rome has a long history of struggle over politics in public places. The giant monuments around Rome are physical manifestations of the use of place to generate political commentary. Just as one engages in political speech through verbal communication, the monuments that inhabit Rome engage in political speech through the creation of places with specified political histories. Grafitti has the power to manipulate those place, adding meaning, changing meaning, and even rejecting or ridiculing meaning.
Entering the Piazza Venezia from behind, Hillary, Jessica, Mia, and I walked along the side of the giant Victor Emanuel Monument (more on that to come). I noticed that graffiti had been removed from the side of the megalithic fascist memorial to Italy's first king. It appears that there are places where graffiti is more an less acceptable in Rome (again, more to come). Thus, the battle for the control of the politics of space continues.
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