Not surprisingly, much of the art on display is religious. The vast collections include art on a number of Christina topics, St. Jerome the Penitent among them. The da Vinci painting above was never fully completed. It was not recognized as a work of art by the great artist until the nineteenth century and was acquired by the Vatican in mid-century. Jerome is portrayed by da Vinci in a typical pose in his study. He is staring at a crucifix while writing. Unlike many of the other paintings I have seen of St. Jerome, including Caravaggio's, there is a lion in the image. Apparently, there is a medieval story about St. Jerome removing a thorn from a lion's foot, hence the lounging beast. This is very different from the depictions of lions many saints martyred in the Coliseum enjoy in paints of them.
The Trumpet of Doom is the instrument that is supposed to sound on the day of judgment. Since St. Jerome was known for his penance as well as his intellectual contributions to the Catholic Church, it makes sense that he would be attuned to hearing the trumpet's announcements. Confession is motivated by the need to be on the right side when the final day of judgment comes around, so St. Jerome's special attention to the trumpet is a reflection of his penatant bent. It is interesting to think that salvation that many seek when they enter the confessional at St. Maria Liberatrice and in other churches is prophesied to begin with a sound on this instrument. Although it is termed "Doom," for many the trumpet is the herald of ultimate salvation.
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